Forkhill Village

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Forkhill today has become somewhat of a dormitory village with extensive new housing largely out of character with the village we so love.  It retains its unique appeal however, and is an ideal site from which to explore the charms of South Armagh.
 
In the nineteenth century it was quite an industrial village with a corn mill, a scutch mill, a hotel, a post-office and several grocery and drapery shops.  There was also a Petty Sessions Court once a month and frequent fairs.  The surrounding countryside was sown in oats and flax and potatoes.  In 1881 its population was 177.  The main attraction then for tourists was a trout lake on Alexander’s estate which also had picnic sites.  It sits at the western end of Slieve Gullion which dominates the skyline.  Just outside town in the townland of Shean were the remains of an ancient priory.  Urney Graveyard is a half a mile away.
 
Squire Richard Jackson (remembered in the beautiful song The Boys of Mullaghbawn, elsewhere quoted here) was the most renowned local landlord, highly thought of in life, though one clause in his will which clearly discriminated against the majority population caused untold hardship after his death. 
 
Forkhill school under his bequest had a schoolmaster called Knowledge (a nickname, it is believed, deriving from his profession) who was willing to teach the local children their prayers in their native tongue.  The Rector Rev Edward Hudson (1779-1795) removed him and replaced him with a teacher named Barclay who would ‘educate the children in the Established Church’ as the bequest had stipulated – teaching the ‘Established Church Prayers’ in English.  Barclay had a brother-in-law, Dawson, who was Hudson’s bailiff and rent collector, and a spy and informer.  On his word two local men were convicted of some crime, one named Bennett being transported and the other, Donnelly being subsequently hanged.  Dawson was also the chief suspect when the parish priest’s home was broken into and his holy vestments shredded.  Local anger boiled over.
 
A group of local Raparees set out in search of Dawson, but failing to find him attacked Barclay instead.  Three members of one family were caught, tried and sentenced for this crime, one being executed.  Local tradition has it that they were all innocent.  English security presence in the area increased.  On December 19th 1789 the Rev Hudson was himself shot at and the horse under him was killed.  The whole area including nearby Mullaghbawn was active in the United Irishmen insurrection at the close of that century.
 


 
There are some among the older generation of Forkhill who still remember the mills operating.  One was owned by a family called Brooks and one by a family named O’Neills. 
 
Local farmers had their corn threshed by steam threshers in the field.  It was then taken in sacks to the mill in Forkhill.  It was crushed fine and made into pollard (crushed oats with nothing removed).  This was a winter foodstuff for cattle.  Farmers took their oats themselves to the mill by horse and cart, and were willing also to take their neighbours bags of oats with them.
 
The flax mill employed a lot of local people as scutchers and beetlers of the flax.  Flax was grown locally and at Dungooley, Co Louth, just a mile away.  At flowering flax fields with cornflower blue flowers on long, thin, delicate stalks was a sight to see!  At harvest it had to be pulled from the ground, a back-breaking task.  It was left to rot (retting) weighed down in flax-holes in a stagnant pool and creating the most awful stench.  When it was judged that the stalks had separated it was brought to the mill to be scutched and beetled.  Then it had to be bleached on bleach-greens.  Men from the mill used to go door-to-door to collect urine from chamber pot for the purpose!  The ammonia did the job!  The final product, linen, became the staple product of Ulster.  Expensive to buy, it was made into bedwear, tablecloths, underwear and the like.  These were sold abroad where people could afford such luxuries.   
 
Today mills are found only in large towns or cities.  Linen making is a smaller, specialist enterprise and almost all local, rural mills have closed.  It was the increasing popularity of the more versatile and softer cotton cloth that caused the linen trade to collapse.
 
Forkhill retains its rural charm and much of its traditions.  Don’t miss out on it in your travels through South Armagh!

INF, Warrenpoint

This was another successful ‘Rock Night’ for the Warrenpoint INF (Irish National Foresters on The Promenade) in what must surely be the heart and soul of the Newry and Mourne music scene!
 
Headlining was the group ‘Existing Threat’ who bashed out their own brand of Death Metal.  This four-piece from Newry may not be for everyone but the set was fast and heavy and seemed to appeal to the greater part of the audience.
 
The night also saw local heroes ‘Black Alley Screens’ woo the crowd with their mix of funky Grunge and Inde.  Just back from  a brief stint in Oxford, England the Screens have honed their set to help appeal to the majority of musical styles and tastes.
 
‘Savage Hennery’ certainly got the crowd jumping as they opened the night’s shenanigans.  This jazzy four-piece raced through an interesting set ranging from white stripe covers to their anthem ‘Simultaneous Rainbow Lovin”.
 
All in all, a great night out (for those who can remember it!)
 
The INF Warrenpoint hosts these weekly ‘Rock Nights’ with doors opening at 9.30.  

Gap of the North

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Gap of the North, written by Noreen Cunningham and Pat Maginn and published in 2001 by O’Brien Press is an excellent handbook for the tourist and the local enthusiast alike.  
 
It is described as the guide to the archaeology and folklore of Armagh, Down, Louth and Monaghan and it fulfils that function excellently in a handy softback volume.  Suffice it to say that Newry Journal considers it an indispensable reference for many of our articles. 
 
It comes with a handy map showing all 48 monument types and gives the monument type, location, grid reference and status of each, before describing it in detail and recounting associated folklore.  
 
The project was initiated and supervised by Anthony Cranney who was also responsible for many of the photographs.  If you want to visit all, you will also need the appropriate O.S. maps.  
 
A few reservations only.  The Crown Mound (31) is in private ownership and cannot be visited.  This ought to be noted.  I feel it would have been helpful if the access routes to mountain sites, like Clermont Cairn on Black Mountain had been marked.  Perhaps a few such mountain trails could have been detailed.
 
But I’m nit-picking.  It is a terrific handbook and great value at under

In Search of the Calliagh Berra

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A comprehensive programme of events has been organised this weekend (10-12 September) to amuse and entertain native dwellers and visitors alike ranging from Viking Ship re-enactments, to Camlough Mummers and coach and walking tours.  Spoilt for choice but you’ve just got to choose, since the full programme runs at different venues at the same time.
 
Your editor has opted to join Anthony Cranney’s intrepid walking group, setting out in determined search for the elusive Calliagh Berra in her cairn or souterrain or lake on top of Slieve Gullion.  Just back from scaling Babbadag in Turkey, and then Slieve League in Donegal, our own wee hill may seem a cakewalk but I must confess it is some decades since I completed it all by foot.  
 

Climber

 

Groping fingertips search slowly up the wall

Grateful fingers grip firmly to the hold

Curled toes of feet help balance on the rock’s fold

To lose one’s self-belief is mentally to fall.

 

So hand to hand, strained foot and back and knee

Up slope, then face and crack, and chimney bold

Till triumphant on the summit he’ll behold

A land of broken rock and scattered scree

Gazing o’er mountain, Fews and sea

The surface of a molten earth grown cold

And breathing air Cuchullain breathed of old

He relishes the heady taste of victory.

 

And though he climbs, he conquers not the hill

It is himself he conquers with his will.

 

Anyway, it’s the folk-tales, the craic and the company of the erudite and accomplished Anthony Cranney that I’m after.  And of course the exclusive interview with the Calliagh herself, should we corner her.  
 
If we make it back on time, I’ll see Pat Maginn’s Mummers.  Watch out for a report.  

Where are the Sessions?

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It is now Sunday afternoon and after dinner my wife and I will go to Rostrevor for the opening of the Fiddler’s Green Festival.  I shall avoid the Derry self-publicist and listen to Burn the Whins.  This is a highly-talented local (Mayobridge) folk group that includes mandolin player Robbie Dinsmore and multi-instrumental singer/songwriter Loretta Phillips.  This pair also play with many others, every Tuesday night at The Cove, Derrylacka.  I asked Loretta to name the local ‘sessions’ for visiting tourists, who might not be so lucky as to have the Fiddlers when they visit us.   
 
‘Our Tuesday nights out at Gerry and Coleen Guest’s pub is normally a quiet, self-indulgent session, but ideal for tourists and locals alike, who enjoy the music but like to converse among themselves at the same time.
 
It’s not always that quiet!  Among the musicians who regularly attend are Willie O’Hare on fiddle, Benny Sands (vocals, banjo etc) and wife Barbara (bohran), Charlie McGeown (fiddle) Benny McKay, Eddie McIntyre (accordion) Eddie Ruddy (whistle) and of course, ourselves.  Ten till one.  Come!
 
There’s another great session on Tuesdays in Forkhill.  Famous guest artist featured weekly, then over to the regulars.  You might get an aul’ story too from Michael Quinn!
 
A few miles away Bernard O’Hanlon has a regular weekend session in Mullaghbane, I’m not sure now whether it’s Friday, Saturday or Sunday but give him a ring!
 
Rostrevor has two mid-week sessions, on Tuesday nights in the Corner House and the Kilbroney Arms on Wednesday nights. 
 
Tuesday nights seem the most popular.  P J O’Hare’s in Carlingford (where I’d be attending the Four Pennies al capella jazz session at this minute if I wasn’t preparing to go to Rostrevor)  usually has Deidre Rodgers, Gerry O’Connor, Gerry Donnan and M Farrell playing.  Now, there’s a line-up!
 
There are also Friday night sessions (once a month) in Bryansford and Maghera (the Co Down one!).  
 
I’ll not mention the Thursday night Railway Bar, Newry session for you’ve advertised it already.
 
Do you think that will be enough to keep your visitors busy?’
 
Well, Loretta, what with the recently-completed and highly-successful Warrenpoint Ulster Fleadh, the Maid of Mournes, Fiddler’s, Lislea Summer Drama and all the rest, I think so.
 
Must hurry.  Can’t miss Loretta in Rostrevor.  
 
P.S. She’s gorgeous and charming as well.  Oh to be youthful again!

Fiddler’s Green Festival

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So inured have we grown to the hyperbolic cant of advertisers that we might welcome as a refreshing breeze the opposite attitude of deliberate understatement.  The Fiddler’s Green Festival in Rostrevor was introduced so; you might say with a whisper rather than a fanfare.  No matter.  Anything so good would sell itself.
 
Still I believe it ought to be shouted from the rooftops that this is far-and-away our most impressive Music and Arts Festival, organised like an Aiken Promotion and featuring artists of true international standard.
 
Quite apart from the household names – and I shouldn’t start for I’ll err by omission, but here goes!  Christie Hennessy, Paddy Maloney and Chieftians, Finbar Furey, Micheal O’Suilleabhain (search above!) Four Men and a Dog (unbelievable!), Denise Hagan, Eleanor McEvoy, Arty McGlynn, Dervish etc. – there is a host of other not-to-be-missed acts:  for starters, Eilish McCaffrey, Burn the Whins, Blue Katz, Kenny McDowell and Ronnie Greer Blues Band, Nollaig Brolly, Aoife Ferry, Kiltultagh.  Some I heard last year and look forward to hearing again.  The rest will be a surprising new experience.
 
There is a children’s programme, walks, art exhibitions, workshops, recitals, lectures and much more.  I can’t find the classical lunchtime recitals organised last year by Siubhan O’Dubhain – though there are Tom Dunne events – and I’ll be devestated if they don’t feature! 
 
I will report here on a few events after I have experienced them.  But not all.  That would be impossible.  You must go yourself.  First buy the programme and make your own list of events to attend.  That’s what I’m doing right now. 
 
My only regret is that I have neither the energy nor the finances to attend everything. 
 
But I’ll persist until I’m broke, or broken, whichever comes first! 

Railway Bar

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The ‘Railway Bar’ session unfortunately missed by our Oz visitors John and Annette Macan proved one of the best for a long while.  We had three visiting sessionists, an excellent bluegrass banjoist from Belfast, another prize-winning banjo player and a singer/guitarist.  We also had many ‘student’ sessionists who join us this time of year, among them Rosie Ferguson and a beautiful young fiddler whose face I recognise but whose name I don’t know.  We were crowded – up close and personal – and the latter, and her friend had to squeeze past me on the way to the bar.  My wife was highly amused at my painfully-obvious attempts to keep my hands to myself each time they passed!

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