‘Grandad’ by Robert Service

Marty Bogroll

Heaven’s right ‘n sweet, I guess

In no rush to get there

Been a sinner, more or less

Maybe won’t fit in there.

Wicked still, gotta confess

Might just pine a bit there!


Heaven’s swell, preacher says

But got so used to earth here

Had such good times all the way

Frolic, fun and mirth here.

Eighty springs ago today

Since I had my birth here.


Quite a spell of happy years

Wish I could begin it

Cloud and sunshine, laughter, tears

Living every minute

Women too, the pretty dears

Plenty of ‘em in it.


Heaven! That’s another tale

Mightn’t let me chew there

Gotta have me pint of ale

Would I like the brew there?

Maybe I’d grow slack and stale

No more chores to do there.


Here I weed the garden plot

Scare the birds from pillage

Simmer in the sun a lot

Talk about the tillage.

Yarns of battles I have fought

Greybeard of the village.


Heaven’s mighty fine, I know

Still, it ain’t so bad here

See them maples all aglow

Starlings seem so glad here.

I’ll be mighty peeved to go

Scrumptious times I’ve had here.


Lord, I know You’ll understand

With Your Light You’ll lead me

Though I’m not the pious brand

I’m here when’er You need me

Gee! I know that heaven’s grand

But darn it! God, don’t speed me.

Blinne’s Stream

ballymac.jpg

Blinne’s Stream

St Moninna of Killeavy was also known by the pet name Blinne (spelling variations: for ‘baby’).  The following poem is sung to the same air as The Bell of Bronagh –  a favourite of Matthew McGrath of Star of the Sea Church Rostrevor – words by Siobhan O Duibhainn. It is likely that the air is ancient, predating by centuries the words printed below.  The mix of Gaelic with Sassanagh implies to me that the original was entirely in the native tongue.

If I can persuade Matthew to record Bell of Bronagh to Youtube, I will create a link.

The moon in splendour shone one night on valley, glen and hill

A thousand stars looked down from heaven and all the world was still

As I walked the road to the holy shrine that oft I longed to see

And a stainless child walked by my side to Blinne’s stream with me.

With merry jest and happy laugh unheeded passed the hours

No thorn lay in my path that night ‘Twas strewn a stor with flowers

And I forgot my own sad lot A chara oig mo chroi

You banished grief the night you came to Blinne’s stream with me.

And now is hushed the merry laugh while the Rosary we said

For kith and kin, for friend and foe the living and the dead

And all whom God afflicteth with pain and agony

Was it angel bright that walked that night to Blinne’s stream with me.

And when we reached the hallowed shrine we knelt in silence there

Again I prayed for those who find life’s burden hard to bear

And I begged God’s holy mother to preserve the purity

Of the spotless youth who came that night to Blinne’s stream with me.

Had I my wish thy path would be for ever bright and fair

No sorrow, no deep anguish should ever be thy share

Thy crosses I would gladly bear a mhile gradh for thee

Who came one happy moonlit night to Blinne’s stream with me.

Julie Fowlis Concert

Julie Fowlis with beads

Yesterday evening my wife and I attended Julie’s superb concert in Rosemary St First Presbyterian Church, which featured also her husband Eamon Doorley AND John McIntyre and Zoe Conway – who are also husband and wife.

I’d highly recommend you buy their new CD ‘Alt.’

Julie is my favourite singer in all the world!

Second Marriage

19CentCottage.jpg

‘A woman died an’ left her husband sorrowing with a baby boy.  He’s grief wus tarrable, but quick an’ sudden over like, as such griefs sometimes are.  An’ before he’s wife wus more than coul’ in the oul’ burial groun’ of Creggan, he’s fancy wus captured by another.  An’ in a short time he wus again before the altar.


Read moreSecond Marriage

May Day Pistogues

JauntingCarNJ.jpg

If you happen to see a strip of hawthorn bush draped with May flowers and eggshells before a cottage door, you will know that this simple custom is a pardonable – and permissable – factor in the queer rites and customs that once characterized the first day of May, in olden times.

You may have heard the word ‘pistogues’.  If you haven’t, I’ll tell you what they are/were.  Pistogues are little acknowledgements of the existence of the supernatural and the embodiment of witchcraft that often accompanied it here:  a kind of appeasement of the gods that ruled the destinies of earlier inhabitants, who themselves were past masters in the art of witchery and spell-casting – even hypnotism.  Only last Saturday, outside the Craft Fair at An Cuan in Rostrevor, my friend Leontia Keogh befriended a practitioner who wanted to exercise his art.  And exorcise some alleged demons.  With what results, I have yet to learn!

If you want to see some such pistogues, pay a visit to St Bridget’s Well in the graveyard at Faughart!

It tempers one’s scepticism somewhat to reflect that maybe those old rite of May Day were the remnants of the art of the ancient peoples – transmuted somewhat by the ravages of centuries.  May Day was a day when ordinary mortals could empower themselves with these forces of the supernatural to cast spells – and the like – on their neighbours. I was in conversation with an old fella of my acquaintace on the subject.

‘”Ye know, ye daren’t put the May Bush up on May Day itself,” he whispered, his sunken eyes leaving spirals of wrinkles on the eye sockets now gawping through dust and the exhaust fumes of a passing car.  He peered as though into the dim centuries of mysticism, as a pronounced quietitude and peace gathered shadow over the bog.

“Why can’t I, if I like?”  I asked, foolishly.  I cannot interpret his withering stare.

“Sure man, you’d have the divil’s own luck if you done that!  Man, sure , they used to say it wasn’t right to plack a May flower afore May Day.

Och, aye, t’was all right te pluck them to put on the May Bush.  THAT was no harm at all.  Not a bit.

More ….

Quigley Concert: The Brodsky Quartet : Tues 12th Feb

Newry Chamber Music visits the Sandys Street Presbyterian Church next Tuesday evening 12th February at 8 pm for a concert from the highly-acclaimed Brodsky Quartet.

Over forty years on the circuit, and named after the great Russian violinist A Brodsky, they have notched up over 4,000 concerts and released more than 60 recordings.

We are delighted and honoured that they have now chosen to play in Newry.

Please ensure a full house on the night by encouraging your friends to come.

The programme on the night will include pieces by Copland and George Gershwin, Samuel Barber’s String Quartet and the “American” Quartet by Dvorak.

We look forward to your company for the evening.

Newry Film Club

The next film of Newry Film Club is on Wednesday night (7th November) at the usual time of 7.30pm.

We are showing ‘The Awakening’, a supernatural thriller directed by Nick Murphy and starring Rebecca Hall and Dominic West.

The movie is set in 1921 England where Florence Cathcart (Rebecca Hall) is a published author on supernatural hoaxes who works with the police to expose charlatans and debunk supernatural phenomenon, having begun her foray into her profession upon the death of her lover in World War I.

Upon a visit from Robert Malory (Dominic West), a teacher from a boarding school with the request to investigate the recent death of a student and how it is related to sightings of a ghost of a child, she travels to the school hoping to explain the sightings and the death.

Initially, the mystery surrounding the ghost appears nothing more than a schoolboy prank, but as Florence continues to investigate events at the school, she begins to believe that her reliance on science may not be enough to explain the strange phenomenon going on around her.

A film sure to haunt you indefinitely ….

Noble Ploughman: .. end …

SWomanofthehouse-300x151.jpg

Since man first turned the soil with his crude spade, revolutionary changes have merged into a progress which has created new worlds above the soil.  But it is still the same soil, and generally speaking producing the same foodstuffs for generally the same purpose.

As each scrape rises, turns and is folded over by the board, the furrow is fresh with dark-brown soil, from which rises a not unpleasant but queerly sour scent of earth.  One is gradually minded of some great rtevelation being unfolded:  as if the invisible veil of Time itself were being drawn off the great facts, the sacrifices and the stories now in the cold print of the history books.  One even feels the close, natural kinship which exists between man and earth – of which only those in constant communion with the earth are aware.

The land was dug with spades before the plough was invented.  When I see fields that, within living memory, were spade-dug by man, I marvel at such herculean tasks.  Ploughs then were few and far between.

There are a few wooden ploughs still retained for sentimental reasons or as museum pieces.  The spade was not been done away with.  It is still used for gardens and allotments and for digging round stones which the plough must pass over.  I have seen ploughmen with fast teams thrown clear of the handles after hitting such a stone.  Though most of the great ones are well-known.  Their location is passed down from generation to generation – as is the location of underground shores or drains.

” …. an’ about two perches out from the big bush in Paddy’s Hill field there’s a bad stone!  Now, watch yourself there!  I remember being thrown … “

It is such hidden stones that make the blacksmith’s forge “thronged ground” during the ploughing season, for almost everyone who enters has a sock to be mended or ‘squared’ or pointed with steel.  The ‘sock’ by the way is a detachable part of the plough which fits onto the sole-plate and which cuts the scrape underneath.  The ‘coulter’ – an iron knife on the forward beam, slices the sod.

In the forge the men talk of the incidents which occurred during their labours that day; about teams, ploughs and horses; and then go to their homes with the mended socks in readiness for renewed work the next day.

It seems a humble calling:  but all great labours are remote and inconspicuous.  For the song of the plough sings gently of the most distinguished labour in the civilized world.  Men labour that men may live when clay-clogged footsteps walk in fresh brown furrows after a team of pulling horses.

… end …